The '70s Teen Pop (Re) Release of 2013.

 

Including at least an album's worth of top-notch unissued material, The Paley Brothers' "The Complete Recordings" (Real Gone Music) is truly a treasure trove.  But not entirely without its rarities and oddities, since, for starters, it seemingly contains a COMPLETELY different mix of the Paleys sole album release from 1978.  And, in theory, this was supposed to be the long-awaited re-issue of that very album!  Well, never mind.  I, at least, got over that fact fairly fast.

 

Influenced by Spector, Wilson, Everlys, et al, for better or worse brothers Jonathan and Andy Paley always wore their musical hearts on their their collective sleeve.  Much like the Rubinoos, they just seemed a bit out of place and time during the angst-ridden late '70s - although there certainly were other acts around (for instance Blondie) at the time which sought obvious inspiration from the more innocent sounds of the late '50s and the early '60s.
Furthermore, Andy's work as an up-and-coming songwriter and producer for other acts (As early as 1977, he worked on an unreleased material with the Shangri-Las for chrissakes!) also seemed to interfere with the natural progression of the Paley Brothers as a proper performing and recording act in their own right.  But "The Complete Recordings" clearly shows they had the material as well as the chops to succeed in that area.
Among the unreleased gems included in the collection is "Boomerang" (Featuring future Andy Paley collaborator Brian Wilson on backing vocals), the Phil Spector-produced "Baby Let's Stick Together" (A cover of the 1976 single Spector did with Dion), as well as a couple of exciting excerpts from their now legendary warm-up slot for Shaun Cassidy at the Madison Square Garden in the summer of 1978.

 

The rarities are nothing to sneeze at either.  With The Ramones (Minus Joey, who was sick in the hospital) the Paleys recorded a cover of the Ritchie Valens classic "Come on Let's Go" for the "Rock & Roll High School" soundtrack, and under the nom de plume The Young Jacques, the brothers (with a little help from a few of The Cars) did the irresistible one-off surf single "Jacques Cousteau" in 1979.

 

Further high points include previously unissued originals such as set opener "Here Comes My Baby", and track number 2, "Meet the Invisible Man" - both done in the Paleys' exemplary early '60s pop meets late '70s power pop style - not to mention the previously mentioned remix of the Paley Brothers first and only proper LP, plus its adjoining singles.

Without a doubt, the (re)issue of the year!

 

One helluva session!  From L to R: Darlene Love; Phil Spector; Joey Ramone; Andy and Jonathan Paley.

 

See also: THE PALEY BROTHERS

The Paley Brothers



Today I was reminded of The Paley Brothers - a late '70s pop act that kind of fell by the wayside during the Punk era, apparently just because how ill-fitting their sound and image was to the times.  The Rubinoos - sort of - had the same problem, although they enjoyed more commercial and lasting success.

The Brothers' (Jonathan and Andy) sole self-titled album is hardly a lost pop classic, but it does nonetheless contain a handful of well-crafted Spector/Beach Boys/Everly-influenced pure pop songs. 

A CD-reissue has been in the planning stages for years, but has yet to materialize.  It could contain some interesting bonus material, since the Paleys reportedly worked with Phil Spector on some previously unreleased material in the late '70s. 

Among other of their accomplishments, they also opened for Shaun Cassidy at the Madison Square Garden at the height of his fame.

But in order to read more about The Paley Brothers click on the link.

There also was an excellent 4 track EP issued, containing a couple of their most memorable non-LP cuts, "Rendezvous" (Also recorded by The Rubinoos) and "Ecstasy" 

 



Their collaboration with another set of brothers - albeit not by blood - the Ramones, from the soundtrack to "Rock & Roll Highschool" (1979), was a snappy Power Pop cover of Ritchie Valens' "Come on Let's Go"...

 

 

"You're the Best" is the opening track on "The Paley Brothers" album. 

 

 

"Come Out & Play", however, arguably the strongest track from the album wouldn't have been entirely out of place on a Bay City Rollers record...

 

 

I always felt the Talking Heads nicked bits and pieces from this song for their otherwise excellent mid '80s hit "And She Was".  The connection, perhaps, being that the Paleys hung around CBGB's a lot during the mid-to-late '70s.  Hence, also, the aforementioned Ramones tie-in.

 

 

Since the '80s, Andy Paley has made a name for himself as a record producer of some repute, working with, among others, his idol Brian Wilson.  Jonathan, meanwhile, has tried his hand at various things such as modelling and acting.  Here's an excellent interview with him.

 

 

Update, Sept. 16, 2013: At long last, the previously mentioned "The Paley Brothers Complete Recordings" CD is out!

 

 

See also: THE '70s TEEN POP (RE) RELEASE OF 2013.

 

Pre script: The Sidewinders were Andy Paley's early '70s, pre-Paley Brothers band.  They issued one, self-titled album on RCA in 1972, which was produced by Lenny Kaye, later of the Patti Smith Group.